Harper (Tye Sheridan), a seemingly naive law student, obsesses over the idea that his shifty stepfather was involved in the devastating car crash that left his mother hospitalized and comatose. He drowns his suspicions in whiskey until he finds himself suddenly engrossed in conversation with volatile grifter Johnny (Emory Cohen) and his stripper companion, Cherry (Bel Powley). As daylight breaks and the haziness of promises made becomes clearer, how will Harper handle the repercussions (not to mention the violent duo—on his doorstep)?
Employing a split-narrative structure to tell this tale of deception and murder, Christopher Smith takes his audience on a thrill ride full of hairpin turns, where it’s never quite clear what or who can be trusted.
Cast: Tye Sheridan Emory Cohen Bel Powley
Directed by: Christopher Smith
I Am Not Your Negro
In his new film, director Raoul Peck envisions the book James Baldwin never finished - a radical narration about race in America, using the writer’s original words. He draws upon James Baldwin’s notes on the lives and assassinations of Medgar Evers, Malcolm X, and Martin Luther King Jr to explore and bring a fresh and radical perspective to the current racial narrative in America.
Directed by: Raoul Peck
XX is a new horror anthology with a gender twist - all segments will be helmed by female directors and will star female leads. The directors have been given free creative rein within budget and time constraints, but all of the segments themselves will involve the horror genre.
My Scientology Movie
'I find that the most inexplicable behavior is motivated by very relatable human impulses,’ comments Louis Theroux as he heads to Los Angeles for his feature documentary, in collaboration with director John Dower and double Academy Award winning producer Simon Chinn, exploring the Church of Scientology. Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Theroux won’t take no for an answer when his request to enter the Church’s headquarters is turned down. Inspired by the Church’s use of filming techniques, and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux. Suffused with a good dose of humor and moments worthy of a Hollywood script, MY SCIENTOLOGY MOVIE is stranger than fiction.
Alive and Kicking
Alive and Kicking gives the audience an intimate, insider's view into the culture of the current swing dance world while shedding light on issues facing modern society.
Directed by: Susan Glatzer
Written by: Susan Glatzer Heidi Zimmerman
Produced by: Susan Glatzer
SHOT! The Psycho Spiritual Mantra of Rock
Legendary music photographer Mick Rock is best known for his iconic photographs of David Bowie, Lou Reed, Iggy Pop, Queen, and countless others. In a documentary as rock-n-roll as its subject, Mick Rock guides us through his psychedelic, shambolic first-hand experiences as the visual record-keeper of these myths and legends.
Erik and Anna are a professional couple with a dream. Along with their daughter Freja, they set up a commune in Erik’s huge villa in the upmarket district of Copenhagen. With the family in the center of the story, we are invited into the dream of a real commune; we participate in the house meetings, dinners and parties. It is friendship, love and togetherness under one roof until an earth-shattering love affair puts the community and the commune to its greatest test.
Cast: Trine Dyrholm, Ulrich Thomsen, Helene Reingaard Neumann, Lars Ranthe and Fares Fares Directed by: Thomas Vinterberg Written by: Tobias Lindholm Produced by: Sisse Graum Jørgensen, Morten Kaufmann
They loved each other with the ardor of thirteen-year-old boys. Rebellion and curiosity, hopes and doubts, girls and dreams of glory – they shared it all. Paul was rich, Emile poor. They left Aix-en-Provence for Paris and quickly became part of the art scene in Montmartre and Batignolles. They hung out in the same places, slept with the same women. They spat on the bourgeoisie (who spat back). They went skinny-dipping, drank absinthe, starved, only to overeat. Sketched models by day, caressed them by night… Traveled thirty hours by train just to watch a sunset…
Now, Paul is a painter and Emile, a writer. Glory has passed Paul by. But Emile has it all: fame, money, the perfect wife, whom Paul once loved. They judge each other, admire each other, confront each other. They lose touch, meet up again, like a couple who cannot stop loving each other.
Cast: Guillaume Canet, Guillaume Gallienne, Alice Pol and Déborah François Directed by: Danièle Thompson Written by: Danièle Thompson Produced by: Albert Koski
Chris Burden guaranteed his place in art history in 1971 with a period of often dangerous and at times stomach-churning performances. After having himself shot, locked up in a locker for five days, electrocuted, and crucified on the back of a VW bug, Burden reinvented himself as the creator of truly mesmerizing installations and sculptures, from a suspended gigantic flywheel that seemingly spins on its own, to an assemblage of antique streetlights rewired for solar energy and illuminated outside the Los Angeles County Museum of Art. In BURDEN, Timothy Marrinan and Richard Dewey look at the artist’s works and private life with an innovative mix of still-potent videos of his 70s performances, personal videos and audio recordings, friends, fellows students and colleagues, critics' comments and latter day footage at his Topanga Canyon studio, all peppered with his thoughts and musings through the years.