
40 Acres
IN THEATERS JULY 2
After a series of plagues and wars leaves society in ruins, the Freemans are surviving — even thriving — on a farm in the middle of nowhere... so long as they repel the occasional raiding party. Former soldier Hailey (Danielle Deadwyler) and her partner Galen (Michael Greyeyes) fled the collapse along with their children, training them to fight (and, yes, kill). But now Hailey’s eldest Emanuel (Kataem O’Connor) is a young man, and when he meets a young woman (Milcania Diaz-Rojas) in the forest beyond the fence, his need for human contact could place the whole family in jeopardy.
STARRING
Danielle Deadwyler, Michael Greyeyes, Kataem O'Connor and Milcania Diaz-Rojas
DIRECTED BY
R.T. Thorne

FOLKTALES
IN THEATERS JULY 25
Exhausted by loneliness, social anxiety, and all the crushing barrage of pressures felt by their generation, three teenagers leave the comforts of home to enroll in a traditional “folk high school” in the wilds of northernmost Norway. Dropped in the arctic wilderness for one year, Hege, Romain, and Bjørn Tore must rely only on themselves and a pack of loyal sled dogs as they take the daunting step from childhood to adulthood. Freed from technology, social media, and the noise of modern life, this brave trio learns to face themselves for the first time, and experience an unexpected transformation.
DIRECTED AND PRODUCED BY
Heidi Ewing & Rachel Grady

A SAVAGE ART
IN THEATERS SEPTEMBER 5
A Savage Art chronicles the life and career of Australian-born, Pulitzer Prize winning political cartoonist Patrick Oliphant. Oliphant’s tenure as an American cartoonist spanned five decades and ten U.S. Presidents. In 1990 The New York Times called Oliphant “the most influential editorial cartoonist now working.” The film covers the history and importance of political cartoons in global democracies, as well as the decline in the profession and in the newspaper industry. It also highlights the effects of extreme political partisanship on media and editorial cartooning, and shows how Oliphant used his biting wit, sharp critical eye and masterful drawing skills to take on presidents, popes and the powers that be.
DIRECTED BY
Bill Banowsky



